I was born in 1945 in Hawick, a small town in the Scottish Borders. In my late teens I won a bursary to Sheffield Art College to study fine art and, later, a year of graphic design. Family commitments, for many years, kept me painting just for pleasure.

Scottish painters have always held a special interest for me: Joan Eardley, whose work seems contempory even today, Ann Redpath, whose birthplace was also Hawick, the Scottish Colourists  and now Barbara Rae and John Brown and other contemporary painters whose work is colourful and verging on the abstract.

I make a point of visiting Edinburgh to see the RSW and Academy Shows each year which always shakes me into examining my own work. It tends to encourage my leaning to be more abstract.

I first saw John Blockley’s painting while wandering through Stow on the Wold as a young mother. I was immediately aware of a vision and interpretation of the landscape to which I could relate and have since always had great admiration for his work. Annual holidays on the west coast of Scotland, a childhood living on the edge of the Peak district and now in the hills of the Forest of Bowland and Dales of North Yorkshire were other influences. I feel I have a natural affinity with millstone grit and wild landscapes. The tough squat farms and barns and the ribbon roads over the moorland are often a feature of my work

In 2001 I submitted work to the RWS open exhibition, won the Cuthbert award and sold the paintings. Encouraged by this, in the following years, I sent work to the RI and the PS where I won The Herring award and again the Cuthbert prize. I was elected to the Pastel Society in 2004

My working approach is studio based, working from sketches and digital photography. I abstract the images to find the essence and compositional patterns. I work in pastels, acrylics or watercolour on gesso/pumice primed board and use both Unison and Daler Rowney pastels. I work over an under painting of either failed watercolour or watercolour washes, usually on large size mountboard, to then enjoy the creativity of cropping the painting and  make a satisfying and pleasing image, all part of the creative process.

My studio in the summer months is a summerhouse in the garden, by the stream, and surrounded by trees. It has heat and light but by November the damp has penetrated and the heating makes little impact so I retreat to any space available in the house.

In 1988  I began to hold painting workshops at my home: Jack Beck House.  John Blockley, a long time friend, offered to tutor my first weekend course and due to his great popularity I was immediately swamped by applicants. This beginning has been followed by 25 years of seeking out artists, whose work I enjoy, to tutor courses. I have had the opportunity to share time and exchange ideas with many inspirational artists: John Blockley, Moira Huntly, Ken Paine, Debra Manifold and Bill Selby to name just a few. I value greatly the contact the courses give me with these and other artists, both professional and amateur.

I show work at the Walker Gallery, Harrogate and Bath Contemporary, Bath.

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